Indian Fashion Series 1 Through the Ages

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Technical Data

Date of Issue December 30, 2018
Denomination Rs. 40
Quantity 110,000
Perforation 13 x 13
Printer India Security Press, Nashik
Printing Process Wet Offset
Watermark No Watermark
Colors Multicolor
Credit (Designed By) Mr. Suresh Kumar Smt. Alka Sharma
Catalog Codes

Michel IN BL205

Yvert et Tellier IN BF192

Stanley Gibbons IN MS3581

Themes

Evolution of Fashion in India – A Journey Through Time

Introduction

Fashion is a universal language — an ever-evolving form of self-expression that transcends borders, cultures, and time. It reflects identity, creativity, and societal values. In India, fashion is deeply rooted in its rich history, shaped by cultural diversity, climatic variations, and centuries of foreign influences. From ancient, draped garments to intricately woven royal attire, Indian fashion has evolved into a vibrant amalgamation of tradition and innovation.

Ancient Origins – Indus Valley Civilization

The story of Indian fashion dates back to the Indus Valley Civilization (around 2500 BCE), one of the world’s earliest urban cultures. Archaeological findings such as terracotta figurines and sculptures depict men and women wearing woven garments, elaborate headgear, and jewelry. The “Mother Goddess” statue shows a figure adorned in a tight-fitted tunic, skirt, and ornaments, while the “Priest-King” wears a long robe draped over one shoulder — a precursor to India’s timeless draped styles.

India was also among the first regions to cultivate and weave cotton, a fabric that became the foundation of its textile heritage. The choice of garments during this time reflected social hierarchy, with the wealthy wearing fine muslin and silk, while commoners used coarse, locally made fabrics.

Mauryan Period – The Age of Draped Elegance

During the Mauryan period (4th–2nd century BCE), Indian fashion emphasized simplicity and fluidity. The common attire consisted of:

  • Antarīya – a lower garment worn like a lehenga or dhoti.
  • Patka – an embellished waistcloth used as a sash.
  • Uttarīya – a long scarf or veil draped over the upper body.

These garments were made of dyed and printed textiles, often created using resist-dyeing and hand-printing techniques. Foreign visitors like Megasthenes documented India’s vibrant textile art, praising its glazed cotton and natural dyes. This era reflected a balance between practicality and elegance, highlighting India’s mastery over fabric and form.

Mughal Era – The Royal Renaissance of Fashion

The arrival of the Mughals in the 16th century revolutionized Indian fashion, blending Persian grandeur with Indian craftsmanship. Men wore:

  • Jama – a long robe tied at the waist.
  • Patka – a jeweled girdle for the sword.
  • Choga – an embroidered, long-sleeved overcoat.

Mughal women, on the other hand, adorned themselves with luxurious fabrics like silk and brocade. Their wardrobe featured Peshwaj, Yalek, Pajama, Churidar, Garara, and Farshi, often paired with head ornaments, necklaces, and anklets.

One of the most iconic fashion figures of the time was Empress Nur Jahan, who redefined royal fashion with her elegant jackets and intricate embroidery, setting trends that resonated across the empire. Mughal fashion symbolized opulence, refinement, and an unmatched sense of aesthetic grace.

Awadhi Splendor – The Elegance of Lucknow

The Awadhi region, especially Lucknow, emerged as a fashion hub during the 18th and 19th centuries. Under the Nawabs of Awadh, the city flourished as a center of luxury and fine living. The Awadhi style of dressing was known for its rich fabrics, delicate embroidery (like Chikankari), and graceful silhouettes.

The aristocrats of Lucknow took immense pride in their attire — every fold, color, and embellishment was a reflection of refinement and sophistication. The Nawabi influence continues to inspire modern Indian fashion with its timeless elegance.

Princely States and the Fusion of Styles

Across India’s princely states, local traditions merged with external influences to create distinctive regional fashions. For example, Rajput royalty preferred regal ensembles like the angarkhi, churidar pyjama, pagdi (turban), and cummerbund.

This era also marked the beginning of cross-cultural fashion fusion, as European tailoring techniques and Western silhouettes began to influence Indian attire. Royal portraits from the 19th century beautifully capture this transition — where Indian nobility combined traditional grace with colonial elegance.

Conclusion

The evolution of Indian fashion is a fascinating narrative of art, culture, and adaptation. From the handwoven garments of the Indus Valley to the opulent robes of the Mughals and the refined grace of Awadh, every era has added a new layer to India’s sartorial identity.

Today, Indian fashion stands at the crossroads of heritage and modernity, celebrating the artistry of its past while continuously reinventing itself for the future — a true reflection of India’s timeless elegance and cultural diversity.