Dadasaheb Phalke

Dadasaheb Phalke, known as the ‘Chitrapat Maharshi’ or the great sage of cinema, was a pioneering figure in the Indian film industry. Born on April 30, 1870, in Trymbak, near Nasik, Phalke inherited a rich cultural heritage from his family, which instilled in him a deep knowledge of Hindu epics and scriptures from an early age.

After receiving his education in Bombay, Phalke pursued art studies at the renowned Kalabhavan in Baroda. Under the guidance of Professor Gajjar, Phalke honed his skills and eventually became in charge of the photographic studio at Kalabhavan. He later worked as a portrait photographer and scene-painter for drama companies before joining the Government of India’s Archaeological Department as a draughtsman and photographer in 1903.

Phalke’s entrepreneurial spirit led him to establish his own business, ‘Phalke Engraving and Painting Works,’ where he garnered praise for his half-tone engraving techniques. His interest in cinema grew, and he traveled to Germany in 1909 to acquire advanced machinery for film processing.

Inspired by European pioneers like Georges Melies, Phalke envisioned establishing a swadeshi film industry in India. He experimented with filmmaking techniques and acquired a thorough understanding of the medium, serving as a cameraman, art director, and scriptwriter for his films. With his wife’s assistance, Phalke edited and processed his films, demonstrating his versatility and dedication to the art form.

Recognizing the importance of film education, Phalke advocated for the establishment of film schools and institutions to train aspiring filmmakers. His role as the ‘Initiator of the Cinematographic Art’ remains unparalleled in Indian cinema history, as he laid the foundation for the film industry and pioneered the role of the first film director in India.

The Posts and Telegraphs Department pays tribute to Dadasaheb Phalke’s legacy by issuing a special commemorative stamp in his honor, celebrating his contributions as the great sage of cinema.