Kumaran Asan 1873-1924

Technical Data
Date of Issue | April 12, 1973 |
---|---|
Denomination | 20 nP |
Quantity | 1,000,000 |
Perforation | Comb 13 |
Printer | Security Printing Press, Nashik |
Watermark | No Watermark |
Colors | Brown |
Catalog Codes |
Michel IN 558 Stamp Number IN 574 Yvert et Tellier IN 361 Stanley Gibbons IN 678 |
Themes | Anniversaries and Jubilees | Authors | Famous people | Literary People (Poets and Writers) | Literature | Men |
Kumaran Asan was indeed a remarkable figure in the history of modern India. Born into a community marginalized by centuries of untouchability, he courageously challenged the injustices of a caste-ridden society and fervently advocated for individual dignity, social freedom, and the unity of humanity. His birth on April 12, 1873, in Kayikkara, a small coastal village in Kerala, marked the beginning of a life dedicated to intellectual pursuits and social reform.
During his formative years, Kumaran Asan immersed himself in the study of Malayalam and Sanskrit. His encounter with Sri Narayana Guru, a prominent social reformer, inspired him to delve deeply into Hindu religious philosophy. This led him to undertake rigorous studies of Hindu and Buddhist philosophies and Sanskrit literature during a five-year period spent in Bangalore, Madras, and Calcutta. It was during this time that he also became acquainted with the English language and literature.
Upon his return to Kerala, Kumaran Asan devoted himself to organizing the S.N.D.P. Yogam, an organization aimed at the comprehensive upliftment of the Ezhava community. Despite societal obstacles, he persevered in his efforts to bring about positive change. He married in his 45th year and settled down in Thonakkal, but tragically, his life was cut short by a boat accident on January 16, 1924, at the peak of his intellectual and creative prowess.
Kumaran Asan’s literary legacy comprises a rich tapestry of works, including the ode “The Fallen Flower,” the elegy “The Lament,” the monologue “The Meditations of Seeta,” and the narrative poems “Nalini,” “Leela,” “The Tragic Plight,” “The Outcaste Nun,” and “Compassion.” Through these works, he explored the profound complexities of human existence, often using symbolism and themes drawn from Hindu and Buddhist traditions.
In “The Fallen Flower,” he poignantly depicts the transience and inherent tragedy of life through the metaphor of a flower. “The Meditations of Seeta” delves into the emotional depths of the character Seeta as she reflects on her past during her sons’ participation in Sri Rama’s Ashwamegha Yaga. Themes of love, tragedy, and spiritual enlightenment permeate his narrative poems, which draw inspiration from both Hindu and Buddhist lore.
Kumaran Asan’s vision of life was deeply philosophical and imbued with a sense of tragic beauty. Despite acknowledging the darkness and cruelty inherent in human existence, he believed in the transformative power of love, which he saw as the driving force behind the universe. In a literary landscape dominated by neo-classical poets, he championed the primacy of individual imagination and creativity, leaving an indelible mark on the consciousness of modern Kerala.