Lala Deen Dayal
Technical Data
| Date of Issue | November 11, 2006 |
|---|---|
| Denomination | Rs. 5 |
| Quantity | 400,000 |
| Perforation | line13¼ |
| Printer | India Security Press, Nasik |
| Printing Process | Photogravure |
| Watermark | No Watermark |
| Colors | Multicolor |
| Credit (Designed By) | Sh. Sankha Samanta |
| Catalog Codes |
Michel IN 2170 Stamp Number IN 2173 Yvert et Tellier IN 1935 Stanley Gibbons IN 2359 WADP Numbering System - WNS IN050.2006 |
| Themes | Animals (Fauna) | Anniversaries and Jubilees | Buildings | Elephants | Famous people | Men | Photographers | Photographs |
Pioneer of Photography in India
Lala Deen Dayal was one of the earliest and most celebrated photographers in India. His remarkable work created a vivid visual record of the monuments, events, and lifestyles of nineteenth-century India. Combining technical mastery with artistic vision, his photographs elevated photography to the level of fine art and often rivaled traditional paintings and printing techniques of the time.
Early Life and Career
Lala Deen Dayal was born in 1844 at Sardhana near Meerut. He studied at Thomson’s Civil Engineering College in Roorkee, after which he began his professional career in 1866 as an estimator and draughtsman in the Department of Works at the Secretariat in Indore.
During this period, he developed a deep interest in photography. His talent was soon recognized by Sir Henry Daly, the Agent to the Governor-General for Central India. Daly entrusted him with the responsibility of photographing the royal visit of the Albert Edward in 1875, an opportunity that helped launch his distinguished career.
Rise to Prominence
Encouraged by Sir Henry Daly, Deen Dayal accompanied him on tours across Bundelkhand, capturing remarkable images of forts, palaces, and temples. Later, during 1882–83, he travelled again through the region with Sir Lepel Griffin.
A collection of 89 photographs taken by him at sites such as Gwalior, Khajuraho, Rewa, and Sanchi was reproduced through the autotype carbon process in Griffin’s book Famous Monuments of Central India. These works brought him widespread recognition.
He also photographed Frederick Hamilton-Temple-Blackwood and Lady Dufferin, after which he was appointed photographer to the Viceroy. Soon afterward, he left government service to pursue photography full-time.
Court Photographer and International Recognition
Deen Dayal’s reputation continued to grow. The ruler of Hyderabad, Mir Mahbub Ali Khan, appointed him as the court photographer and bestowed on him the title “Raja Musavir Jung.”
In 1897, he received the prestigious Royal Warrant appointing him as Photographer to Queen Victoria.
He established photography studios in Indore, Secunderabad, and Bombay, and his work gained international acclaim. At the 1893 World’s Columbian Exposition in Chicago, his display of Indian views received a special award. He also won recognition at photographic exhibitions in Jaipur, Calcutta, London, and Poona.
A Vast Photographic Legacy
Lala Deen Dayal travelled extensively across India, documenting important historical sites and social scenes. Over the course of his career, he produced more than 6,000 photographs, one of the largest collections created by any single photographer of that era.
His images provide a rare and authentic glimpse into the grandeur of nineteenth-century India—royal palaces, ceremonial parades, hunting expeditions, elephant carriages, and dignitaries with their attendants. These photographs capture the elegance and cultural richness of a bygone age.
Today, a major portion of his work is preserved at the Indira Gandhi National Centre for the Arts (IGNCA), New Delhi.
Legacy and Commemoration
Lala Deen Dayal passed away in Bombay on 5 July 1905 at the age of 61. His photographs remain invaluable historical records and artistic masterpieces that document India’s architectural heritage and social life of the late nineteenth century.
To honor his extraordinary contribution to photography and cultural history, the Department of Posts issued a commemorative postage stamp on Lala Deen Dayal, celebrating the legacy of a legendary photographer whose work continues to illuminate India’s past.
First Day Cover
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