The Philatelist
Indian States 7 min read

Bhor’s Portrait Label of 1901: Postage or Not?

The half anna portrait of Shankar Rao reported to have replaced the handstamps on 6 June 1901: its sheet of 21, the separate receipt stamp, the Poona supplier, covers of 1903 and why its postal status is still disputed.

Jaspreet Kaur

Updated October 9, 2026

Twenty-one half anna portrait labels, the first impression only partly printed.
In this article

In 1901 a printed half anna with the portrait of the Pant Sachiv, Shankar Rao Chimnaji, appeared. Catalogues list it; officials of the Imperial post said Bhor stamps had no place in paying postage; the State dak was still carrying stamped petitions in 1912. Its status is still argued.

What the reports of 1901 and 1902 say

The Stanley Gibbons Monthly Journal of January 1902 is far more specific than later catalogue shorthand. An unnamed Indian correspondent passed on information from Bhor’s principal medical officer: the earlier designs had been superseded on 6 June 1901. That is a reported date, not an issue order or a first day cover.[28]

The same account describes the half anna portrait in a circle inside a rectangular frame, with the State’s name above, the value below and native characters at the sides, in sheets of twenty-one, three rows of seven, on toned wove paper, imperforate. The September 1901 report had read the top inscription as BHOR STATE POSTAGE; the January account gives only BHOR STATE. The two readings are kept as they are.[28]

The January account also separates a larger one anna portrait design reading BHOR STATE RECEIPT STAMP at the right. That is a receipt stamp, not another portrait postage value, and not one of the earlier square fiscal labels.[28]

In December 1901 the Journal reported that Whitfield King had supplied a small quantity of the portrait despite a postmaster’s reported restriction on sales to dealers. That is a dealer’s account, not the sales rule itself.[28]

Sheets and printing

The Park catalogue describes a 21-subject portrait sheet with the first position only partly printed, a different object from the hand-struck sheets of the oval. Philately Life calls the portrait typographed and Mintage World calls it lithographed; the sheet of 21 helps identify it but leaves the process open. Neither report of 1901–02 names an artist, engraver or printer.[14][21][22][28]

Twenty-one half anna portrait labels, the first impression only partly printed. It illustrates the disputed portrait wit
Twenty-one half anna portrait labels, the first impression only partly printed. It illustrates the disputed portrait without making it confirmed postage. Christoph Gärtner, Park Collection, lot 681.[14]

A State press and a Poona supplier

The Bombay Presidency register of 1898–99 lists a State Printing Press at Bhor, owned by the State, and the State’s annual reports carry Bhor press imprints. In the 1909 debate an unnamed Poona tradesman, accused of engineering the issue for speculation, was said after enquiry to have been only the contractor who supplied presses and materials. The register records an institution and the debate a supplier; neither names the printer, the designer, the source of the portrait or the die maker, and the accusation of speculation should not be repeated as fact.[4][15][24][25]

Person or institutionDocumented roleLimit
Shankar Rao Chimnaji, Pant SachivRuler and subject of the portrait[32][28]Not known as designer, engraver, printer or commissioner
Unnamed Poona tradesmanReported contractor supplying presses and material[4]No name, firm, contract or design credit; the speculation charge is contested
Unnamed principal medical officer of BhorInformant on the replacement date, the stamps’ functions and State use[28]Not a postal officer or maker
Unnamed Indian correspondentPassed the medical officer’s information to the Monthly Journal[28]Not a witness to manufacture
Assistant Director-General of Posts, unnamedAnswered the enquiry about the stamps on 22 April 1902[4][35]No abolition date
CroftonDisputant against Evans in 1909; the writer reports service as political agent of Bhor[4]Full name not verified
E. B. EvansAuthor, interpreter and disputant[1][6][4]His positions changed; some readings uncertain
Robert BatemanLater author[5]Not a witness to manufacture
Whitfield King & Co.Dealers who supplied specimens and relayed a postmaster’s remarks[28]Not printers or designers
Unnamed Bhor postmasterSource of the reported restriction on dealers[28]Known only through the dealer
WetherellCredited in 1909 with publishing an official description of 1906[4][34]Not thereby its author or a postal official
Hereditary runners, unnamedCarriers, paid in land according to Bateman; daily runners in 1912[5][23]No individuals known
A. B. KayShowed the journal the imitations of 1903[16]Not the forger
Bhor State Printing PressPress owned by the State in the 1898–99 register[15]No stamp-printing job documented
People and institutions in the Bhor story, and the limits of what each is known to have done.[32][28][4][35][1][6][5][23][16][15][34]

Covers with the portrait

David Feldman’s listing of spring 2025 describes the portrait half anna on Queen Victoria stationery sent from Bhor on 12 April 1903, with a Malabar Hill delivery mark of 13 April. It leaves open whether the Bhor stamp paid a separate State charge, where the letter passed into the Imperial post, and who carried it before.[17]

Spink lists a locally addressed cover with the same design and cites a British Philatelic Association certificate of 2019. Until the certificate has been read and the objects compared, their relationship, what the certificate covers, and the local service they used remain open.[18]

Klaseboer says the genuinely used cancellations on the portrait avoid the ruler’s head, and the Park catalogue describes a special cancellation doing just that on a damaged native cover. A photograph alone cannot settle the dispute.[32][14]

The half anna portrait on a damaged native cover, with a cancellation that the catalogue describes as avoiding the portr
The half anna portrait on a damaged native cover, with a cancellation that the catalogue describes as avoiding the portrait. Christoph Gärtner, Park Collection, lot 680.[14]

Why the dispute is not settled

StampWorld lists the portrait as an issue. The Imperial letter of 1902 denied it any scope as postage, and the account of 1912 describes a limited runners’ service for petitions. These may concern different layers of the service, or different understandings of it; the sources do not reconcile them, and no authenticated portrait cover tied to a dated petition has been found. The portrait stays a disputed label in the checklist.[4][35][23]

Identification traps

The receipt stamp, the printed portrait and the handstruck stamps are different categories. A sheet of 21 does not settle typography against lithography, and the man who supplied the presses was not necessarily the printer. The survival of the State dak, the availability of stamps to collectors, the validity of a stamp and the genuine postal use of one object are four different questions.[28][4]

Evidence still needed

An order book, press accounts, invoices or a signed design would name the printer, designer, engraver and paper supplier. A print order or the examination of a complete sheet would settle the process. The certificate and both sides of the Spink cover, compared with the Gärtner and Feldman covers, might show how the portrait was used. Casey’s notice of May 1879, the correspondence of 1902, the political agent’s list of offices and the State’s administration reports would date the beginning and end of the post. H. D. S. Haverbeck’s three-page study of Bhor (1958) is a further lead.[33][37]

Sources

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